una faccia da schiaffi - translation to English
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una faccia da schiaffi - translation to English

1967 FILM BY SERGIO SOLLIMA
Cara a Cara; Faccia a faccia

una faccia da schiaffi      
a cheeky face
Da Nang         
  • Da Nang International Airport.
  • University of Đà Nẵng]]'s main campus, on Le Duan Street.
  • 30px
  • punitive campaign]] against the Vietnamese, had turned into a long, bitter and costly defeat for the Franco-Spanish Force.
  • Da Nang in the painting ''Giao Chỉ quốc mậu dịch độ hải đồ (交趾国渡航図巻)'' of Chaya Shinroku (茶屋新六) in the 17th century.
  • U.S. helicopters at [[Da Nang Air Base]], 1965
  • The [[Hải Vân Pass]]
  • Hai Van Tunnel North Entrance
  • Inside Hàn Market.
  • Legend of the Seas]]'' calls at Da Nang Port in February 2009.
  • Gymnasiums of Da Nang
  • Annam]] drafted by [[Alexandre de Rhodes]]. "Cua han" appears along the coast (upside-down, left of centre).
  • Paracel Islands (Vietnamese names)
  • The People's Committee of Da Nang City
  • A [[Vietnam Airlines]] jet is boarded in front of the new terminal of [[Da Nang International Airport]]
MUNICIPALITY OF VIETNAM
Tourane; Danang, Vietnam; Đà Nẵng; Ðà Nang; Da Nang, Vietnam; Thanh pho Da Nang; Da-Nang; 沱灢; Ðà Nẵng; Names of Da Nang; History of Danang; Danang; History of Da Nang; Geography of Da Nang; Da nang; Cuisine of Da Nang
n. Da Nang, città del Vietnam centrale
Leonardo da Vinci         
  • 230x230px
  • fighting vehicle]]
  • Pacioli's]] ''[[Divina proportione]]'' (1509)
  • alt=
  • alt=Photo of a building of rough stone with small windows, surrounded by olive trees
  • lk=no}}. British Museum, London
  • group=d}} [[Czartoryski Museum]], [[Kraków]], Poland
  • lk=no}})
  • group=d}} [[Uffizi]], is thought to be Leonardo's earliest extant and complete major work.
  • group=d}} [[Louvre]] version
  • Vatican]]
  • p=151}}
  • group=d}} [[Uffizi]], Florence
  • lk=no}})
  • oclc=500794484}}</ref>
  • lk=no}}), Royal Library, [[Windsor Castle]]
  • 1499–1508}}, [[National Gallery]], London
  • Royal Library]] of [[Turin]], Italy
  • group=d}} [[Louvre]], Paris
  • left
  • left
  • 1492–1498}})
  • lk=no}}) attributed to [[Francesco Melzi]]
  • Tomb in the chapel of Saint Hubert at the [[Château d'Amboise]] where a plaque describes it as the presumed site of Leonardo's remains
ITALIAN RENAISSANCE POLYMATH (1452−1519)
Leonardo de Vinci; Leonardo DaVinci; Leonardo Da Vinci; Da Vinci; Davinci; DaVinci; Leonardo Davinchi; Leonardo Davinci; Leonardo di ser Piero da Vinci; Leonardo da vinci; Leonardo daVinci; Leonardo di Ser Piero da Vinci; Vinci, Leonardo di Ser Piero da; Da vinci; Leonardo da Vinci's workshop; Leonard da Vinci; Leonardo da Vinchi; The Great Leonardo; Léonard de Vinci; Leonard de Vinci; L. Da Vinci; Leanardo da vinci; Leonardo Da Vinchi; Leonardo De Vinci; Leonardo Di Vinci; Léonardo Da Vinci; Leo da vinci; Caterina Buti del Vacca; Leonardo da Vinci Notebooks; Da Vincian; Leonardo Abince
n. Leonardo Da Vinci (pittore, geometra, inventore, saggio, ha pitturato la "monna Lisa" )

Definition

UNA
¦ abbreviation United Nations Association.

Wikipedia

Face to Face (1967 film)

Face to Face (Italian: Faccia a faccia; Spanish: Cara a cara German: Hallelujah, der Teufel lässt Euch grüßen) is a 1967 Italian/Spanish international co-production Spaghetti Western film co-written and directed by Sergio Sollima and produced by Alberto Grimaldi. The film stars Gian Maria Volonté, Tomas Milian and William Berger, and features a musical score by Ennio Morricone. It is the second of Sollima's three Westerns, following The Big Gundown and predating Run, Man, Run, a sequel to the former. Milian stars in a lead role in all three films.

The film portrays the unlikely partnership of Professor Fletcher (Volonté), a university lecturer, and "Beauregard" Bennet (Milian), a wanted outlaw, and a series of events that results in an exchange of their moral values, culminating in Fletcher taking control of Bennet's bandit gang. Frequently interpreted as a parable based on the rise of European fascism, the story and themes of Face to Face were based on Sollima's wartime experiences, and his personal beliefs on the role of environments and societies in the shaping of a person's character.

A major success at the European box office, Face to Face has received praise from critics and scholars of the Spaghetti Western genre for its story and acting, although some criticism has been leveled at the execution of Fletcher's character arc. Sollima considered it to be one of the best and most personal of the films he directed.